VINCENZO SCHILLACI - Operativa Arte Contemporanea
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VINCENZO SCHILLACI
~
vincenzoschillaci@gmail.com
I’m interested in working on a large range of supports, from the traditional to the
unconventional ones. I start from my personal experience, but also from the historical and
sociological sources. I like to define my work as a product of the ‘post-humanism’’, which is
a term that generally describes a society whose development, through the technological pro-
gress, is going beyond the fixed category of being (the time, for example), or predetermined
grading (animals/humans), provoking big idiosyncrasies in relation to reality.
I investigate the idea of extension of the image origination with heterogeneous languages,
especially in analyzing the praxis of painting as a map of new possibilities and achievable
devices. My practice is based on a combination of both philosophical and material research.
What awakes my interest often becomes a vehicle for creation, linking the elements with
which I have contact. This allows me to extend the comprehension of my semantic field.
Indeed, my work becomes a breach towards the possibility of slight touches, tangencies and
connections with the grainy surface of the world, in a tensive relationship between seen and
unseen, appearance and disappearance.
~
Quello che mi interessa è lavorare con una vasta gamma di supporti, dal tradizionale al non convenzionale.
Spesso attingo dal mio vissuto ma anche da fonti storiche o sociologiche. Mi piace indicare il mio lavoro
come un prodotto di ‘post-umanismo’ che è un termine che descrive in generale una società che, con il
progresso tecnologico, si sta evolvendo al di là di categorie fisse di essere (ad esempio il tempo), o classi-
ficazioni predeterminate (ad esempio animali / umani). Ho in mente un’idea di estensione e di originazione
dell’immagine, che indago con linguaggi eterogenei, sopratutto approfondendo la prassi della pittura map-
pandone nuove possibilità e dispositivi. La mia pratica si basa su una combinazione di ricerca filolosofica e
ricerca del materiale. Quello che desta il mio interesse spesso diventa uno strumento per la creazione, met-
tendo in circolo gli elementi con cui entro in contatto che mi permette di estendere la comprensione del mio
campo semantico. Il mio lavoro infatti funge spesso da apertura verso la possibilità di sfiioramenti, tangenze
e legami con la superficie granulosa del mondo, in un rapporto di tensione tra visto e non visto, apparizione
e sparizione.
LA FEBBRE / Palazzo Mazzarino / Palermo / 2018
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a project by Vincenzo Schillaci, with works by:
Pennacchio Argentato | Ann Iren Buan | Lisa Dalfino & Sacha Kanah
Dominik Lang | John Henderson | Emiliano Maggi | Alessandro Piangiamore
Vincenzo Schillaci | Namsal Siedlecki | Johannes Wald
https://www.instagram.com/la_febbre/?hl=it
LA FEBBRE, installation view, Palazzo Mazzarino, Palermo, 2018
SEDUTA, 2018, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint, graphite and marbled finishing on board, 200x160 cm LA FEBBRE, installation view, Palazzo Mazzarino, Palermo, 2018
FIGURES (?) / Untitled Association / Berlin / 2018
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http://moussemagazine.it/vincenzo-schillaci-figures-in-berlin-project-2018/
http://julietartmagazine.com/it/events/figures-vincenzo-schillaci/
http://www.neromagazine.it/n/?p=37615
FIGURES (?), 2018, installation view Untitled Association, In Berlin Project, Berlin
DEL MIO SECOLO, 2018, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, cm 200x160 FIGURES (?), 2018, installation view Untitled Association, In Berlin Project, Berlin
INFRANGERE, 2018, plaster, pigments, inks, spray paint, marble powder and polyurethane foam on paper mounted on canvas, cm 40x30 FIGURES (?), 2018, installation view Untitled Association, In Berlin Project, Berlin
FIGURES (?) / Francesco Pantaleone Arte Contemporanea / Milano / 2018
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http://moussemagazine.it/vincenzo-schillaci-figures-francesco-pantaleone-arte-contemporanea-milan-2018/
RITRATTO, 2018, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint, graphite and
marbled finishing on board, cm 200x160
FIGURES (?), 2018, installation view, Galleria Francesco Pantaleone, MilanoFIGURES (?), 2018, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, cm 120x150 FIGURES (?), 2018, installation view, Francesco Pantaleone Arte Contemporanea, Milano
CIAO, 2018, mixed media and collage on paper, cm 60X50 FIGURES (?), 2018, installation view, Francesco Pantaleone Arte Contemporanea, Milano
LA MOSTRA BIANCA / Operativa / Roma / 2017
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LA MOSTRA BIANCA , 2017, installation view, Operativa, RomaDOVE NESSUNO VA / Operativa / Roma / 2016
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http://eccontemporary.com/2016/07/25/vincenzo-schillaci/
http://insideart.eu/2016/08/25/intervista-con-vincenzo-schillaci/
http://www.leparadox.com/art/operativa-arte-contemporanea-dove-nessuno-va-by-vincenzo-schillaci/
http://moussemagazine.it/vincenzo-schillaci-operativa-arte-contemporanea-2016/
http://atpdiary.com/vincenzo-schillaci-operativa-arte-contemporanea-roma/
FOLLE BIANCO #01, 2016, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and
marbled finishing on board, 200x160 cmUntitled _ Body Fragment, 2016,variable dimensions, clay, wax, residuals. FOLLE BIANCO #00, 2016, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 200x160 cm QUESTA COSA CHE NON TORNA, 2016, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 200x160 cm
DOVE NESSUNO VA, 2016, installation view, Operativa, Roma IL CORPO MI GUIDERA’#00, 2016, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 60x50 cm
Works / 2015 _ 2018 ______________________________________________________________
MUOVERSI, 2018, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 200x160 cm
PER UN DISEGNO (CHE SCENDE LE SCALE), 2018, plaster, pigments inks and spray paint on paper mounted on canvas, cm 190x110 NESCIO QUID, 2017, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 150x120 cm STHA #00, 2017, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 150x120 cm
IN CARNE, 2018, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 60x50 cm
FIGURE#00, 2018, cast, bronze, 150x120 cm
FIGURE#00, 2018, cast, bronze, 150x120 cm
PREFERIREI PROCEDERE 2016, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 200x160 cm
IL CORPO MI GUIDERA’#00, 2016, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 60x50 cm
TOTAL ECLIPSE 2015, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 200x160 cm
FOLLEBIANCO#05 2015, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled finishing on board, 200x160 cm TERRA DELLA SERA, 2015, pigmented plaster on canvas, 120x150 cm
Ah si va a Oriente / Fondazione per l’Arte / Roma / 2014
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http://moussemagazine.it/ah-si-va-a-oriente-rome/
http://atpdiary.com/exhibit/fondazione-per-larte-ah-si-va-a-oriente/
Catastrophes and other transformations #4, 2014, virgin wax, 100x150 cmCatastrophes and other transformations, complete view Catastrophes and other transformations #1 - #2, 2014, virgin wax/ 80x100 cm
Contemporary Divan / Ficarra / 2015
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http://moussemagazine.it/ficarra-2015/
Contemporary Divan, installation view
Untitled C*01-00, 2015, installation view
Giorgio Vasari The origin of painting 1573, 2015, plotter print, 10x15 cm
Untitled C*00, 2015, lime, plaster, quartz paste, marble powder, pigments, inks, spray paint and marbled
finishing on board, 185x255 cmLa Vita Rapita / Komplot / Bruxelles / 2014
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http://www.kmplt.be/project.php?id=108
Figures_study for an incarnate # 1, 2014, plaster, pigments on cotton, wax on cotton, 100x150 cm
Figures_study for an incarnate # 2, 2014, plaster, pigments on cotton, wax on cotton, 80x120 cm
Untitled, 2014, plotter print on paper, spray varnish, 60x80 cmEnte Da Fare / Cripta 747 at Basement Franco Noero / Torino / 2013
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http://atpdiary.com/exhibit/cripta747-ente-da-fare/
http://www.arteecritica.it/onsite/75/ENTE_DA_FARE-BUZZOTTA-SCHILLACI.html
Pietra #3, 2013, lime, plaster, quartz, pigments, marbled nishings, wax, 200X160 cm
Ente da fare, installation view, 2013
Pietra #1 - #2, installation view, 2013Shells, 2013, plaster, pigments, wax, clay’s rests, variable dimensions Shells, detail
Vanishing Point_Dov’è L’uomo? / Gum studio / Torino / 2013
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http://gumstudiomostre.blogspot.it/2013/04/vanishing-point-dove-luomo.html
Vanishing Point, installation view, 2013
Bombella Salvatore, 2013, lead, artisanal signs, 50x50x6 cmLe Associazioni Libere / La Maison Rouge / Parigi / 2012
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http://atpdiary.com/la-maison-rouge/
Untitled ( plaster casts), 2012, plaster, soil rests, variable dimensions
Noi non siamo mai esistiti la realtà sono queste forme nella sommità dei cieli, 2012, Untitled (plaster casts) /
installation view, La Maison Rouge, 2012Selected bibliography http://moussemagazine.it/vincenzo-schillaci-figures-in-berlin-project-2018/ http://julietartmagazine.com/it/events/figures-vincenzo-schillaci/ http://www.neromagazine.it/n/?p=37615 http://moussemagazine.it/vincenzo-schillaci-figures-francesco-pantaleone-arte-contemporanea-milan-2018/ http://moussemagazine.it/vincenzo-schillaci-operativa-arte-contemporanea-2016/ http://www.leparadox.com/art/operativa-arte-contemporanea-dove-nessuno-va-by-vincenzo-schillaci/ http://atpdiary.com/vincenzo-schillaci-operativa-arte-contemporanea-roma/ http://insideart.eu/2016/08/25/intervista-con-vincenzo-schillaci/ Iside Art / Giugno 2016 http://eccontemporary.com/2016/07/25/vincenzo-schillaci/ https://www.thatscontemporary.com/hideout/ T-A-X-I / ATTITUDE(S) AND CURRENT RESEARCH IN ITALY / 2014 http://atpdiary.com/exhibit/cripta747-ente-da-fare/ http://www.arteecritica.it/onsite/75/ENTE_DA_FARE-BUZZOTTA-SCHILLACI.html Terrazze / Artisti storie e luoghi in Italia negli anni zero , a cura di Laura Barreca, Andrea Lissoni, Luca Lo Pinto, Costanza Paissan / LA Quadriennale di Roma / Marsilio Editori / 2014 Arte e critica : Numero 85 / 2016 - Numero 77 / 2014 - Numero 73 / 2013 - Numero / 74 / 2013 - Numero 75 / 76 / 2013 http://atpdiary.com/exhibit/fondazione-per-larte-ah-si-va-a-oriente/ http://www.artnoise.it/ah-si-va-a-oriente-quattro-artisti-per-la-fondazione-per-larte-di-roma/ http://moussemagazine.it/ah-si-va-a-oriente-rome/ Co-èdition Fage et La maison rouge / Retour à l’intime / la collection Giuliana et Tommaso Setari et Les associations libres / La maison rouge fondation antonie de galbertt à Paris / E’dition bilingue fraçais-anglais Une project de la Dena Foundation for Contemporary Art. http://atpdiary.com/la-maison-rouge/ http://atpdiary.com/pics-from-orlando-palermo/ Artissima LIDO / Carte Blanche / Edizione Unicredit Studio I quaderni di riso / 2010
2016
Biography
WAX, Galleria Francesco Pantaleone, Palermo
Vincenzo Schillaci (Palermo, 1984) lives and works between Palermo and Rome.
Through heterogeneous languages, with a prevalent use of the pictorial medium, Vincenzo 2015
Schillaci investigates the possible tangencies and links of the relationship between the
granular surface of the images’ world and the ideas. A determined impetus as a formal Re Building The Future, curated by Marco Pierini, ex chiesa dei Cavalieri di Malta, Siracusa;
constitution tool, which guarantees the autonomy of the works. In 2011 he founded and Ce l’ho / Mi manca, curated by Agata Polizza, Fondazione Mandralisca, Museo Mandralisca, Cefalù (PA);
directed in Palermo the contemporary art centre L’A project space.
2013
Upcoming
Aroma, a project by Cripta 747 at Operativa Arte Contemporanea, Rome;
Mike, Operativa arte contemporanea Rome El vento fugge, L’A project space, Palermo;
Solo shows 2012
Le Associazioni Libere, a project by the Dena Foundation for Contemporary Art Curators, Chiara Parisi and
2018
Nicola Setari, Artistic coordination Francesca di Nardo, Exhibition design Christian Frosi and Diego Perrone,
La Maison Rouge, Fondation Antoine De Galbert, Paris;
Figures (?), In Berlin project, Untitled Association, Berlin;
Orlando, curated by Luca Francesconi, Fondazione Brodbeck, Catania - L’A project space, Palermo;
Figures (?), Francesco Pantaleone Arte Contemporanea, Milan;
La rincorsa della lepre, a project by Massimo Ricciardo, Torretta di Brolo, Messina;
2016 2011
Dove Nessuno Va, Operativa Arte Contemporanea, Rome; VideoCards il pensiero degli artisti, curated by Francesco Lucifora, C.o.C.A. center of contemporary arts,
Modica;
2014 A due passi dal mare, L’A project space, Palermo;
La Vita Rapita, curated by Sonia Dermience, Komplot, Bruxelles; Special projects and residencies
2013 2015
Ente da fare, Cripta 747 at Basement Franco Noero, Turin; Il museo delle Palme, a project by L’A project space and Operativa Arte Contemporanea, Rome - Orto Botan-
Vanishing point _Dov’è l’uomo?, Gum Studio, Turin; ico, Palermo;
Contemporary Divan, summerschool with Lois Weinberger curated by Lorand Hegyi, Ficarra (ME);
2012
2014
White Columns, a project by Cripta 747, Alfa 60, Artissima Oval, Turin
Ah si va a Oriente, curated by Daniela Bigi, Fondazione per l’Arte, Rome;
2011
Modulo, curated by Cristian Frosi, Renato Leotta, Diego Perrone, Artissima Lido, Turin.
Group shows
2018
Il Vello d’Oro, Galleria Giorgio Galotti, Turin;
La Febbre, curated by Vincenzo Schillaci, Manifesta 12, Palazzo Mazzarino, Palermo, June 14 – October 14;
2017
Twiner#5_ La Joie de Vivre, Centrale del Tennis, Foro Italico, Rome;
La mostra Bianca, Operativa Arte Contemporanea, Rome;Puoi anche leggere
